This article in the Spring 2002 issue
of the SMAA Newsletter.
I started reading a martial arts book the other day titled
Pressure Point Fighting, by Rick Clark. After reading the
introduction, and then the first chapter, I marked my page and
closed the book. In doing that I took a moment and looked over
the cover--then it hit me--Pressure Point FIGHTING. Are
most martial artists engaged in fighting? According to Webster's
Collegiate Dictionary, fighting is defined as:
To attempt to harm or gain power over an adversary by blows
or with weapons
To engage in boxing or wrestling.
Now the second definition is associated with sports and competition,
so that obviously doesn't align with the original nature of Japanese
martial arts. The first definition can be related to pure violence
or street muggings.
When I think of "fighting," I think of crudely exchanging blows or
maybe competitive sparring. Sport competition was never included in
the ancient forms of classical bujutsu, and it is rarely found in
the older forms of budo. It goes against the grain of the very nature
of these activities, and SMAA members can read more about this idea
in many of the late Donn Draeger's fine books. Yes, many modern budo
systems utilize sport sparring, but this is not a true presentation
of combative reality, which is one of the reasons that it is largely
absent in the koryu ("old style") martial arts.
Martial arts are about combat. They're about training the mind and
body for the eventuality of conflict. This should apply to any system
that is referred to as a martial art. [And strictly speaking,
martial arts relate to arts utilized by the military in a martial
context. This, in turn, relates not so much to self-protection, but
actually to protection of a group entity, complete with techniques
that could be used in large scale warfare on a battlefield. The use
of weapons is almost an inevitability in this context. --Editor.]
Many modern budo systems have taken this concept, focused the training
on the cultivation of the mind, and down-played many of the more
dangerous combative tactics. Yet even in these systems, the roots
and flavor of the combative element are sometimes still evident.
Fighting, in my definition, is something that takes place between
two people (at least) that have not been trained in one of the martial
arts. It isn't like in the movies where two combatants exchange punches
and kicks for ten minutes before the fight ends. Many "fights" last
less then 30 seconds. Moreover, if two highly skill martial artists
confronted each other, the average moviegoer might be surprised to
see that sometimes neither person would attack, each would wait for
an opening that might never come.
Martial artists are trained to skillfully control or neutralize an
encounter as quickly (and depending on the situation, as decisively)
as possible. They are taught to avoid an extended exchange of blows,
since the longer the encounter drags on the greater the chance of
them making a mistake that would allow the attacker to get the better
of them.
Thus the type of encounter the average student of aikido, jujutsu,
or karate-do is focused on is not "fighting" by my definition; it
is the rapid, skilled use of trained techniques in self-defense.
The majority of the time, a proficient martial artist is able to
avoid conflict, either through awareness and avoidance, or through
turning the other cheek. When these fail and the individual is forced
into a situation that requires action--fighting is the last thing
that they want to engage in.
I think that martial artists should be conscious of the terminology
we use to communicate information about our arts, and not just to
the general public, but also to our students.
About the Author: Brett Denison Sensei is a sandan in
the SMAA goshin-jutsu division, with a long-term interest in
systems of Japanese jujutsu. His interests also include the
study of Japanese language and Japanese art. An avid student
of shodo, or Japanese calligraphy, he is a member of the Kampo
Ryu, a well-known shodo school based in Japan. Denison Sensei
himself is based in Colorado, and he's a frequent contributor
to the SMAA Newsletter.